Thursday, October 25, 2012

Paris Trip, Day 2


(It is recommended by the author that you read Paris Trip, Day 1 before you read this post)


March 27, 2012.  It was the start of my second day in Paris, filming for my Joel-Peter Witkin documentary, “Joel-Peter Witkin: An ObjectiveEye”.  I was awoken by the smell of freshly baked bread, as the aroma from the bakery below the hotel was beginning to creep in through my open window.  I couldn’t imagine a better way to wake up.

When I booked this trip, I made it a point to try to get a hotel as close as possible to the BnF, and Baudoin Lebon’s gallery.  Luckily for me, they are not far from one another.  The location of the hotel was great, not only were we close to our shooting locations, we were also within walking distance to many great bars, restaurants, cafés, and local shops.  We were not staying in the tourist part of town, so there was no bombardment of tourist shops, McDonalds, or any other hints of western civilization. 


The agenda for this day was to interview Baudoin Lebon in his gallery, and from there we would shoot close-up B-Roll footage of the new works from Witkin before the official opening later that evening.   Most of the staff working at Baudoin’s gallery, we had met the prior evening at the opening of the exhibit at the BnF, and a special thank you goes out to Elodie Hodge and Hélène Cardalliaguet for all their help.  After the interview with Baudoin was complete, he was nice enough to offer an invitation for my crew and I to join him at his house for a celebratory dinner after the gallery closed that night.  We gladly accepted his gracious invite.  When B-Roll footage was wrapped up, the boys and I decided to get some lunch.  We chose a local spot, and I found myself eating a  cheeseburger that cost me 19 euro, and drinking Coke in a bottle… So much for the authentic French experience.

We got back to the gallery an hour before the official opening, and we started to get the gear ready.  Ernesto Galan was going to be capturing the footage from inside, while Nickolas Rossi and I were going to be outside for some “man on the street” interviews.  Once again the crowd came and there was definitely no shortage of footage.  Nickolas and I were able to capture some good interviews outside.  Some memorable ones are a woman named, Clementine, a photographer named, James, and a student named, Martin. 

As things began to wind down at the gallery, we packed up the gear, and got ready for the after-party dinner.  Baudoin’s house was only a block away, and we made our way over there after we dropped the gear off in the car.  When I walked inside of Baudoin’s house, I instantly knew I was out of my element.  His house was beautiful and magnificently decorated with many great pieces of art.  I had no idea what I was getting myself into. 
Taking the quick tour of the house I was able to spot where the essentials were.  In the dinning room there was a large spread of a variety of high quality cheeses, fresh bread, and plates of blood sausage.  Towards the kitchen area there was a table with a butler standing behind it.  On the table were many glasses of champagne and wine.  I chose the champagne, as did Ernesto and Nickolas.  The rest of the people invited began to show up in one big group, and within the crowd of people was Martin, the student we had interviewed earlier.  It turns out he began to talk to Witkin before the gallery closed, and soon found himself invited to the party.  I was quite impressed with Martin’s social skills, as I talked with him throughout the evening, I found him to be quite entertaining.


I think I was on my fifth glass of champagne when I took a moment to observe what was going on around me.  A couple of days prior to that moment, I was in the United States, stressing out and was a nervous wreck from preparation for the trip to Paris, and yet here I was… at a major art dealer’s house for a private party, drinking the finest champagne France has to offer, and surrounded by good company.  Those in attendance included Joel-Peter Witkin, and his son Kersen Witkin, Joel’s twin brother Jerome, and his son Christian Witkin.  Along with the four Witkin boys, there was also Baudoin’s family, and many of Witkin’s closest friends.  Once again, I felt as if I were dreaming.  It was a pretty surreal moment for me, as I never would have imagined myself in such a position.

After the party was over, the boys and I decided to go get more drinks.  With a stomach full of champagne and blood sausage, what would be better to put on top it?  Scotch.  There was a bar that was still open down the block and we preceded to have our own little post celebratory toast to the end of another beautiful day in Paris.  However, it was shortly after that first toast, when I realized how important the hotel selection was.  It is safe to say by the end of the night, I was drunk, and thank Christ it wasn’t too far of a walk back to the hotel from the bar.

Stay tuned for Paris, Day 3    

Thursday, October 18, 2012

Paris Trip, Day 1

“As I can’t think of a suitable excuse for not writing to you sooner, let’s just say ‘better late than never’, and move on from there.” – Hunter S. Thompson

I realize it has been eight months since my last blog entry, and I am severely overdue.  I originally started this blog with the intention of making a post every week, a goal in which I have failed miserably.  So, without further ado, let’s back to it, shall we?

In March of 2012, Joel-Peter Witkin contacted me about the possibility of joining him in Paris, France for a week in order to film him at some major events in his life. Witkin was getting ready to debut his latest volume of work at Baudoin Lebon’s gallery.  Along with the new gallery showing, there was also a retrospective exhibition at the Bibliothèque nationale de France (BnF), where his new book, “Heaven or Hell”, was to be released. Add to that, he was scheduled for a book signing at “Art Paris Art Fair”.  This would be a great opportunity for my crew (Ernesto Galan and Nickolas Rossi) and I to capture some amazing footage for the “Joel-Peter Witkin: An Objective Eye” documentary… How could I say no?




What can I say about Paris that hasn’t already been written by so many great writers before me?  Truth be told, Paris left me speechless.  I had always hoped that one day I would be fortunate enough to make a trip to Paris, and now after all this time, I still can’t believe it happened.  I simply fell in love with the place and I can’t wait to get back there.

First thing on the agenda after we arrived in Paris was the opening of the exhibition at the BnF.   This was quite an event, as there were 45 engravings from the Renaissance to the twentieth century displayed in counterpoint to 85 of Witkin’s photographs.  It was truly magical to see the works of Witkin paired up with such master printmakers as Dürer, Goya, Ensor, Picasso, Rops and many others.  Aside from seeing Witkin’s work in a book or in his studio, this was the first time I had ever seen his photographs in this kind of proper setting, and to see the original prints up close, it had a profound effect on me.  Another thing that I found interesting about that night was the number of people who were in attendance.  The rough estimation was somewhere between 2,000 to 3,000 people, with a line stretching down the block and around the corner.  It was only then that I began to understand how much the French embrace the works of Witkin. 

Joel had been present throughout the whole exhibition, stopping and talking to many of the guest, discussing his technique, and answering questions.  Afterwards he was set up at a table and began to sign books for the eager crowd who had been waiting in line, a line that was rapidly growing.  But Witkin handled it with grace and spent a good deal of time with each guest, as he signed their books, and exchanged small conversations.  The line came to an end, and it was time to call it a night.  I went to bed that night with a sense of disbelief, as the first full day of filming in Pairs, went off without a hitch.  As I suffered with jetlag, I began to wonder if it was real.  

The week had only just begun, and the crew and I were scheduled to wake up early the next morning to spend the day at the Baudoin Lebon Gallery, in preparation for the premiere of Witkin’s latest works later that evening.

Stay Tuned for Paris Trip Day 2